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Mathias Kellner

Mathias Kellner

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Mathias Kellner: Bavarian Song Art, Cabaret, and a Voice with Character

A Niederbavarian Exceptional Artist between Singer-Songwriter Tradition, Humor, and Stage Presence

Mathias Kellner, born on September 19, 1984, in Straubing, is one of the most distinctive voices in the Bavarian singer-songwriter and cabaret scene. The artist from Lower Bavaria combines his music career, drawing, and stage language into a unique overall picture that oscillates between folk, pop, blues, and dialect. From an early age, he developed an attitude that combines craftsmanship with narrative instinct. ([de.wikipedia.org](https://de.wikipedia.org/wiki/Mathias_Kellner?utm_source=openai))

His artistic profile thrives on proximity and independence: Kellner writes, sings, plays guitar, and stages his songs as small stories with a high recognition value. The music press highlights this mix of quirky humor, carefully crafted songs, and a smoky-bluesy voice. The result is not a polished pop figure but a distinctive musician with a clearly recognizable style. ([chiemgau24.de](https://www.chiemgau24.de/chiemgau/traunstein/landkreis-traunstein-ort55635/landkreis-mathias-kellner-sein-neues-album-tanzcaf-memory-10273071.html))

Early Years and Musical Influences

Kellner's musical journey began early: at the age of nine, he received guitar lessons, soon played in various bands, and often took on vocal duties. After completing secondary school, he trained as a carpenter but did not pursue this profession. Instead, he worked various jobs, including as a guitar teacher, and began performing regularly. This biographical mixture of craftsmanship, everyday life, and music shapes his artistic self-concept to this day. ([dewiki.de](https://dewiki.de/Lexikon/Mathias_Kellner))

Even in these early years, a central feature of his later work emerged: the connection between linguistic observation and musical directness. Kellner does not rely on distance but on vividness, on stories from life that gain personality immediately from his voice and arrangement. Especially in the Bavarian singer-songwriter tradition, this closeness to everyday experience is a crucial quality factor. ([chiemgau24.de](https://www.chiemgau24.de/chiemgau/traunstein/landkreis-traunstein-ort55635/landkreis-mathias-kellner-sein-neues-album-tanzcaf-memory-10273071.html))

The Breakthrough: From Supporting Acts to His Own Signature

In 2007, Mathias Kellner was on stage as a supporting act for Claudia Koreck, which reached him a larger audience. A year later, he followed with a Germany tour with Katie Melua and also performed with the Kellner Band as a support for classic rock legends like Uriah Heep, Foreigner, Status Quo, Manfred Mann’s Earth Band, The Sweet, and Ten Years After. These experiences broadened his horizons and placed his stage presence in various musical contexts. ([dewiki.de](https://dewiki.de/Lexikon/Mathias_Kellner))

His debut album This Ocean Life was created during a phase when he had already clearly positioned himself as a songwriter. The first single Bees in My Head was perceived as a success in Southern Germany. With Hey Dude and the single iSong, he soon made the next step: The song made him known beyond Bavaria and established him as an artist who combines catchy melodies with distinctive storytelling. ([dewiki.de](https://dewiki.de/Lexikon/Mathias_Kellner))

Style Development: Acoustic Guitar, Blues, Folk, and Dialect

The acoustic guitar is particularly shaping Kellner's style. In a press description of Tanzcafé Memory, it is emphasized that his rhythms and melodic lines unmistakably sound like "Kellner." The songs work with fingerpicking, bluesy colors, and a sense of tension that recalls American songwriters while remaining firmly rooted in the Bavarian context. This stylistic dual movement gives his music substance. ([chiemgau24.de](https://www.chiemgau24.de/chiemgau/traunstein/landkreis-traunstein-ort55635/landkreis-mathias-kellner-sein-neues-album-tanzcaf-memory-10273071.html))

With Hädidadiwari, Kellner opened a new chapter in 2014: He published lyrics in Bavarian for the first time. The single Vielleicht vielleicht played on Southern German radio, and his later dialect works also demonstrate how naturally he uses dialect as an artistic form of expression. As a result, his songs do not sound folkloric but vibrant, pointed, and strongly focused on character development. ([dewiki.de](https://dewiki.de/Lexikon/Mathias_Kellner))

Discography: Albums, EPs, and Remarkable Productivity

Mathias Kellner's discography documents remarkable continuity. Key studio albums include This Ocean Life, Hey Dude, The Road Sessions, Kinda Wild, Hädidadiwari, Zeitmaschin’, Kettnkarussell, and Tanzcafé Memory. Additionally, Homeoffice and Homeoffice 2, which were released in 2020, as well as Blus’n EP, Dark Side Of The Hawara, Bavarian Recordings Vol.1, Pflanzerl, and Bavarian Recordings Vol.2. The band d’BavaResi has complemented this œuvre with Bay. Hitz mit Witz. ([dewiki.de](https://dewiki.de/Lexikon/Mathias_Kellner))

Kellner also left a significant mark in live performances: The Live Sessions, Gsungene Gschichtn – Live, and No Sleep til’ Ingolstadt illustrate how strongly his material works on stage. His live formats expand the songs with narratives, punchlines, and spontaneous energy, making his concerts often feel like a musical-cabaret event. This live quality is an essential part of his artistic reputation. ([dewiki.de](https://dewiki.de/Lexikon/Mathias_Kellner))

Current Projects and Releases 2024/2025

In recent releases, Kellner continues to show productivity and stylistic versatility. Apple Music lists his latest release as the single A Johr (feat. Vito C.) from December 27, 2024. Also appearing are Bavarian Recordings [Vol. 2] - EP, Da Boxer, and other current titles from 2023 and 2024. His SoundCloud profile confirms this activity with several releases in late summer and fall 2024, including Oranger Opel Corsa (Champagne Corolla), Go Mane Go (Johnny B. Goode), and Sing unsa Liadl (Piano Man). ([music.apple.com](https://music.apple.com/ca/artist/mathias-kellner/349960226))

Kellner remains active in live performances as well: His official performance calendar and ticket section indicate ongoing dates, and event pages announce new programs for 2026, including Can you BOARISCH, please?! and other concert formats. Thematically, this phase revolves around dialect, translations of well-known songs, and new original pieces, touching precisely on the intersection that defines his artistic core. ([linktr.ee](https://linktr.ee/MathiasKellner))

Critical Reception, Awards, and Cultural Influence

For years, the reception describes Kellner as a fixed component of the Bavarian music scene. A press report labels him a "full-blooded musician" who plays captivating concerts and connects carefully crafted songs with quirky anecdotes. In the same context, his songs are described as stories from the Bavarian hinterland, far from kitschy country house romance. This interpretation strikes at the heart of his art: He tells his stories rooted in the region, yet never provincially. ([chiemgau24.de](https://www.chiemgau24.de/chiemgau/traunstein/landkreis-traunstein-ort55635/landkreis-mathias-kellner-sein-neues-album-tanzcaf-memory-10273071.html))

His awards underscore this authority: In 2007, he received the Youth Cultural Promotion Award from the District of Upper Palatinate, in 2019 the Little Executioner's Axe of Passau, and in 2024 the Bavarian Dialect Award. This recognition not only honors his musical performance but also his contribution to the preservation and contemporary development of regional dialects. Kellner exemplifies a new generation of singer-songwriters who perceive dialect as cultural capital rather than a folkloric backdrop. ([dewiki.de](https://dewiki.de/Lexikon/Mathias_Kellner))

More than Music: Drawing, Acting, and Artistic Versatility

Mathias Kellner works not only as a musician but also as a drawer and painter. He designed covers for his own releases and also created artwork for other artists like Helga Brenninger and d’BavaResi. In 2023, a calendar featuring Kellner's motifs was also released. This visual aspect complements his musical work and showcases an artist who thinks not only in songs but also visually. ([dewiki.de](https://dewiki.de/Lexikon/Mathias_Kellner))

Additionally, he has appeared in acting and musical roles: In 2012, he made his debut in Was weg is, is weg, where he also contributed to the film music, and in 2018 he took on the role of the retired Wolfgang Ambros in the musical Der Watzmann ruft. In 2019, he was also seen in a small role in Leberkäsjunkie. These experiences broaden his profile beyond mere singer-songwriter activity and affirm his stage authority. ([dewiki.de](https://dewiki.de/Lexikon/Mathias_Kellner))

Conclusion: Why Mathias Kellner Endures

Mathias Kellner combines craftsmanship, Bavarian linguistic power, acoustic intensity, and a fine sense of humor into a distinctive artistic identity. His discography shows growth rather than repetition, his live performances thrive on presence and punchline certainty, and his awards demonstrate cultural relevance far beyond the regional context. For those seeking contemporary song art with character, Kellner delivers as a musician with poise, depth, and charm. ([chiemgau24.de](https://www.chiemgau24.de/chiemgau/traunstein/landkreis-traunstein-ort55635/landkreis-mathias-kellner-sein-neues-album-tanzcaf-memory-10273071.html))

Especially on stage, this quality unfolds most strongly: there, voice, guitar, anecdote, and dialect come together to create an experience that is as entertaining as it is touching. Experiencing Mathias Kellner live means witnessing an artist who does not just perform his songs but tells, condenses, and brings them to life. This is where his unique tension lies. ([chiemgau24.de](https://www.chiemgau24.de/chiemgau/traunstein/landkreis-traunstein-ort55635/landkreis-mathias-kellner-sein-neues-album-tanzcaf-memory-10273071.html))

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